Monday, August 27, 2012

Call for Writing from Vanderbilt Faculty, Staff, and Students


Call for Submissions: The Identity Sculptures Project

Extended Deadline: November 30, 2012
(accepted on a rolling basis)

The Identity Sculptures Project, a Curb Creative Campus Initiative exploring the relationship between creativity and human identity, invites Vanderbilt faculty, staff, and students to submit poetry, creative prose, and experimental reflections of all styles that respond to the topic: “Creative Identities.”

Selected writers will be part of a unique campus-based sculpture and writing project designed to evoke questions and foster dialogue through language and visual art. Artist Lori Anne Parker-Danley (an editor in the Patient Education department at VUMC), is spearheading the project, which was born out of her interest in the relationship between writing and art and the ways language and storytelling shape (and are shaped by) our bodies and identities. Lori Anne will be creating sculptures that respond to and engage with the writings of the community. One of the goals of the project is to create occasions for unexpected and spontaneous encounters and conversations (with art, writing, and each other) on the Vanderbilt campus.

For selected writers, participation in the Identity Sculptures Project includes: collaborating with the artist by allowing her to interview you about your writing (so she can get to know more about you, your writing, your thoughts about how you would interpret it visually, etc.); giving the artist permission to incorporate your writing into the sculptures she crafts in response to your work and your conversations; and being part of an online writing/art exhibition, which will include the publication of your piece on the web, as well as a video or audio file of you (or someone you choose) reading your work. 

The identity sculptures will be displayed at various locations on Vanderbilt’s University and Medical Center campuses in Spring 2013. Images of the sculptures with the writing will be posted on the web. At the end of the project year, the sculptures will be given to the writers in gratitude for their participation.
Creative Identities

Creative: able to make; to bring into existence; to invest with new form
Identities: the distinguishing qualities, characters, or personalities of an individual

The Identity Sculptures Project, a art and writing project, invites Vanderbilt faculty, staff, and students to submit writing on the theme: “Creative Identities.” The project seeks writing that explores the dynamic, complicated, and nuanced relationships between identity (in every sense of the word) and the myriad ways identities are expressed. Writers are encouraged to interpret the term “Creative Identities” freely—considering what it means to them and how it relates to their lives.

To help you refine your ideas, possible topics include, but are not in any way limited to:

  • The relationship between identities and the ways they are spoken, written, created, shared
  • The relationship between your origins, what and how you create, and why you create at all
  • The ways expression shapes (and is shaped by) the personal, the familial, the social, the political, the national, the global
  • Autobiographical expressions of place, country, travel, location, and all types of relocation (both chosen and forced); The geographical wanderings of selves and bodies and the stories told of these
  • Being human and the necessity of making: What happens when expressions are silenced? What happens when people are given the space to speak, create, and make?
  • Identities of loss, trauma, illness, damage; Creating as a way of remaking the self and the body
  • The possibility or impossibility of translating yourself into words
  • The challenges of writing identity—including self, body, family, community and in terms of common “identifiers,” like race, gender, sexuality, class, nationality, age, occupation, the existence or lack of religious belief, immigration status, education level, bodily ability or “disability,” etc.
  • The relationship between expression and flesh, including how your specific body and its history affects the ways you create; how changes in the body lead to new forms of expression
  • The challenge of expressing multiple (often conflicting) identities; The ways context changes how you express who you are
  • Identity as creative response—to institutions, jobs, expectations, places, other people, the time in which you live
  • Ø  Identity and expression as two sides of the same coin … 

Submission Guidelines:

·       Submit up to 3 poems, short creative fiction or reflective non-fiction pieces (each piece should be no longer than 1,000 words) by October 15 to

·       Submit as a Word Document or PDF attachment. If you submit more than one piece, please combine them into a single document/attachment. Include your name, contact email, and your relationship with the university (student, faculty, or staff) on your submission.

Learn more:

Curb Creative Campus:
Lori Anne Parker-Danley:
The Identity Sculptures Project:   

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